David Munrow did not just emerge into the field of medieval and renaissance music......he exploded into it. He established a standard that can now never be ignored, and the stimulating shock-waves from his explosion will carry far into the future......
~Sir Anthony Lewis, 1976 ~
Munrow, and Musica Reservata...A Getty Image
Musica Reservata on their early instruments - from left to right, David Munrow on alto shawm, Ruth David on treble rebec, Michael Morrow on Krummhorn and Adam Skeaping on tenor rebec, 3rd October 1968…
By Phil Hebblethwaite Monday 28th November 2016/BBC Radio 3 As Radio 3 re-run episodes of their landmark 1970s music series for children, Pied Piper, we remember its presenter - early music specialist David Munrow
What's the best way to inspire children to take an interest in music, and is there any value in doing so? If there is, what kind of music is best?
Those kinds of questions have dogged parents and scientists for decades, each new study providing different answers. Does listening to Mozart really boost your brainpower? asked BBC Future in 2013 in response to a widely misunderstood report from 1993, which didn't actually declare that there was a "Mozart effect" - the idea that infants will become cleverer if they're exposed to classical music. In fact, just about any kind of music is good for children of all ages to listen to, and a much broader 2006 study suggested pop (Blur!) was just as effecti…
The following comes the Coyotebanjo blogspot......Munrow/Legrand: The Three Musketeers,July 2007.
Between them, Legrand and Munrow present a textbook example of the expressive and narrative capacities of film music, drawing on both old-school Hollywood and new-school historical performance in service of telling the story.
The LP is long out of print and has not (I don't believe) ever been released on CD, but it can be heard on the excellent DVD reissue of the two films, and Legrand has released a short orchestral suite based on just a few of the key themes:
The magnificent, pounding minor-key fanfare for low winds and strings and which serves as underscore for the opening credits, a wonderful back-lit sequence catching swordsmen (later revealed to be DArtagnan and his father, sparring) in slow-motion silhouette as they thrust, parry, and riposte, and which beautifully prefigures the life-and-death staggering, brutal fatalism of the decades-…
The following is taken from an article on the internet. It is largely an interview with Ken Barnes, and the Roundtable. Clear references are made to Munrow...
There is also reference to Arthur Johnson who was the producer of Pied Piper
The Roundtable - Ken Barnes Interview
For our latest Licorice Soul release in conjunction with www.blaxploitation.com , we are proud to present something a little off the beaten track; LSD004 features a re-working of Laura Nyro's 'Eli's Comin' and the Ken Moule original 'Saturday Gigue', a sprightly pair of tracks extracted from the extremely curious and increasingly difficult to locate 'Spinning Wheel' album by a mysterious group of musicians named The Roundtable. It's a faultlessly charming blend of funky brass, Hammond and rhythm twinned with the unlikely bedfellow of medieval instrumentation supplied by David Munrow and Christopher Hogwood. These two fellows earned much …