The Early Music Legend

March 1, 2008 8:20pm--Meeting the virtuoso David Munrow Christopher Hogwood was for many years the resident keyboard player for the Early Music Consort of London under the director David Munrow, an unparalleled genius when it came to early wind instruments. I remember when the EMC came to perform at Royce Hall, UCLA many years ago and the place was packed to the rafters. Munrow was onstage with countertenor James Bowman, viol player Oliver Brookes, lutenist James Tyler, and Hogwood who, when he wasn't playing keyboard, played little drums and other percussion instruments. All these men were true stars of early music in the mid 1970s. When they came out on stage, Munrow had an array of forty or fifty wind instruments lying on the floor around his chair, and when a piece of music would end, he would just lean down and pick up another instrument and begin to play?a truly amazing artist.  The entire performance was utterly stunning. About ten days later I went to the Mark Taper ...

March 1, 2008 8:20pm-- Christopher Hogwood was for many years the resident keyboard player for the Early Music Consort of London under the director David Munrow, an unparalleled genius when it came to early wind instruments. I remember when the EMC came to perform at Royce Hall, UCLA many years ago and the place was packed to the rafters. Munrow was onstage with countertenor James Bowman, viol player Oliver Brookes, lutenist James Tyler, and Hogwood who, when he wasn't playing keyboard, played little drums and other percussion instruments. All these men were true stars of early music in the mid 1970s. When they came out on stage, Munrow had an array of forty or fifty wind instruments lying on the floor around his chair, and when a piece of music would end, he would just lean down and pick up another instrument and begin to play—a truly amazing artist.  The entire performance was utterly stunning. About ten days later I went to the Mark Taper Forum of the L.A. Music Center ...