A Memory of David Munrow (1977)
Publisher: Novello & Co
The separate parts of A Memory are completely notated but they interact flexibly, cueing each other in and out. The two counter-tenors have a wordless lament, staggering their breathing. The separate independent layers of the work are examples on a small scale of the approach found in Dickinson's Piano Concerto (Proms 1986), written for Howard Shelley, and other pieces since the early 1970s.