Key Consort Members sans Munrow








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Victoria & Albert

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https://www.youtube.com/Searle8 The following may of interest! http://collections.vam.ac.uk/name/david-munrow/AUTH342361/     One of a series of seven letters, handwritten by David Munrow to his beloved teddy bears and toys while he was on holiday in Cornwall as a young boy in the 1950s. In these affectionate and newsy letters to bears ‘Humph, Ginge and Eddy,’ David paints an exciting picture of his holiday activities for the soft toys left behind in his Birmingham bedroom: ‘We have caught eight fish…we eat them for breakfast’; ‘I really ought to have written before but we have been so busy painting the boat’; ‘The other day I tried to reach a stick in the water and Plosh! In I went with all my clothes on’; ‘I hope you arn’t [sic] too lonely at home but we've only got another week down here’. David Munrow’s intelligence, imagination and wit shine through. He adds a post script to many of the letters from a toy named ‘Poo’, which he writes in a different hand and with d
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Overview of the Munrow Archive

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Skip to Content List of Access Keys Search the website | Search the catalogue Cookie policy |   Search the archives Search our website Search our website Search our records Skip to content Home page A to Z index Search Visit us Help Complaints procedure Terms of use Contact us Access key details About us Education Records Information management Archives sector You are here: Home > Search the archives > Access to Archives > Records Access to Archives Part of the UK archives network   Royal Academy of Music Library   Papers of David Munrow Papers of David Munrow The entire contents of this catalogue are shown below. Browse the hierarchical structure instead Reference DM Covering dates 1908-1976 Held by Royal Academy of Music Library Extent 7
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The Performance Practice of David Munrow and the Early Music Consort of London : Medieval Music in the 1960s and 1970s

  Student thesis : Doctoral Thesis › Doctor of Philosophy/Blogger Ref  http://www.youtube.Searle8 Edward George Breen Music This thesis focuses on the musical contribution of David Munrow and his Early Music Consort of London (EMC) to the so-called early music revival of the 1960s and 1970s. By exploring the notion of shared cultural space in performances of medieval music by leading ensembles of the time, this thesis seeks to isolate aspects of performance practice unique to the EMC. An assessment of literary sources documenting the early music revival reveals clear nodes of discussion around Munrow’s methods of presenting early music in concert performance which are frequently classified as ‘showmanship’ with a focus on more scholarly performance practice decisions only evident in the post-Munrow period. Close readings of these sources are undertaken which are, in turn, weighed against Munrow’s early biography to map out the web of influences contributing t
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